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NorthStar, Fourth Edition, a five-level series, engages students through authentic and compelling content and empowers them to achieve their academic and personal goals. The approach to critical thinking in both the Reading/Writing and Listening/Speaking strands challenges students to move beyond basic comprehension to higher-level analysis.

Conceptualized to promote critical thinking, NorthStar infuses analysis, synthesis, evaluation, and application throughout every lesson, not just in a critical thinking section like in other series.

Components: Print or eText

Student Book with MyEnglishLab — Building on the success of previous editions, NorthStar
continues to engage and motivate students through new and updated contemporary, authentic topics in a seamless integration of print and online content.

eText with MyEnglishLab — Offering maximum flexibility for different learning styles and needs, a digital version of the Student Book can be used on iPad and Android devices.

MyEnglishLab: NorthStar — Students use MyEnglishLab to access additional practice online, view videos, listen to audio selections, and receive instant feedback on their work. Teachers assign MyEnglishLab activities to reinforce the skills students learn in class and monitor progress through an online gradebook.

Teacher Resource eText — Each strand of NorthStar has an accompanying Teacher Resource eText with the following: digital Student Book, downloadable achievement tests, classroom audio, lesson planners, video activities, videoscripts, teacher's manuals, answer keys, and a downloadable placement test. Accessible through MyEnglishLab: NorthStar.

Classroom Audio CD — Listening and Speaking audio contains the recordings and activities as well as audio for the achievement tests. The Reading and Writing strand contains the readings on audio.

• Sales Rank: #19243 in Books
• Published on: 2014-08-07
• Original language: English
• Number of items: 1
• Dimensions: 9.90" h x .50" w x 7.90" l, .0 pounds
• Binding: Paperback
• 234 pages

From the Back Cover
NorthStar, Fourth Edition, a five-level series, engages students through authentic and compelling content and empowers them to achieve their academic and personal goals. The approach to critical thinking in both the Reading/Writing and Listening/Speaking strands challenges students to move beyond basic comprehension to higher-level analysis.

Conceptualized to promote critical thinking, NorthStar infuses analysis, synthesis, evaluation, and application throughout every lesson, not just in a critical thinking section like in other series.

Components: Print or eText

Student Book with MyEnglishLab — Building on the success of previous editions, NorthStar
continues to engage and motivate students through new and updated contemporary, authentic topics in a seamless integration of print and online content.

eText with MyEnglishLab — Offering maximum flexibility for different learning styles and needs, a digital version of the Student Book can be used on iPad and Android devices.

MyEnglishLab: NorthStar — Students use MyEnglishLab to access additional practice online, view videos, listen to audio selections, and receive instant feedback on their work. Teachers assign MyEnglishLab activities to reinforce the skills students learn in class and monitor progress through an online gradebook.

Teacher Resource eText — Each strand of NorthStar has an accompanying Teacher Resource eText with the following: digital Student Book, downloadable achievement tests, classroom audio, lesson planners, video activities, videoscripts, teacher's manuals, answer keys, and a downloadable placement test. Accessible through MyEnglishLab: NorthStar.

Classroom Audio CD — Listening and Speaking audio contains the recordings and activities as well as audio for the achievement tests. The Reading and Writing strand contains the readings on audio.

Most helpful customer reviews

0 of 0 people found the following review helpful.
I purchased the new edition with MyEnglishLab access code. ...
By Agard
I purchased the new edition with MyEnglishLab access code. When I peeled away the sticker covering the access code, the complete code ripped away and I am unable to piece it together again in order to access the online lab.

I am going to be using the text for a course that I am teaching, but I don't think there is any way to prevent students from having the same problem :(

0 of 0 people found the following review helpful.
Five Stars
By karina
good

0 of 0 people found the following review helpful.
Four Stars
By rafael
Super...this it's a good book to learn English.

See all 20 customer reviews...

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What if you could eliminate your chronic pain once and for all...without medication? BREAK AWAY is a practical guide to gaining freedom from your headache, migraine, or TMJ pain once and for all - regardless of how many times you've failed with treatment in the past. Whether you desire to stop using pain pills that no longer work effectively, have that "ah-ha" moment when you discover the real cause of your pain or just to feel better and prevent future problems - this book is the blueprint. Dr. Fred Abeles will reveal the step-by-step treatment process he uses to successfully eliminate chronic pain. He'll teach you how to become a far more informed patient so you can confidently seek the proper care you need. You will learn: Why symptomatic relief is doomed to repeated failure; The #1 most critical element you must get right to become pain free; How to avoid falling victim to misdiagnosis; What the pharmaceutical industry and TV have trained you to do; All the available treatment options from A -Z; And much, much more...

• Sales Rank: #556836 in Books
• Published on: 2015
• Binding: Paperback
• 148 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Understanding "TMJ" symptoms and treatment at last!
By Martin Silver
"Break Away" is one of the most easy to read books I have ever encountered. Dr Abeles is an outstanding clinician and an international educator. He writes in an easy to follow and folksy style. However, by the time you complete this short book, you will have a thorough understanding of the anatomy and physiology of the tempero mandibular joint and the surrounding structures as well as the many seemingly unrelated conditions which can be manifest by pathology of the joint and the muscles which it affects. Dr Abeles also clearly explains the relationship between TMJ dysfunction and headaches, obstructive sleep apnea, neck and back pain among others. He then goes on to explain the rational of his treatment approach and its success rate illustrated by examples of some of the many patients he has treated. This book is a necessary read for anyone suffering from any of the varied symptoms of TMJ pathology as well as any health professionals who are involved with treating any of the various conditions associated with TMJ dysfunction.
Martin Silver, D.M.D.
Marietta, Georgia

0 of 0 people found the following review helpful.
stop the pain
By Dr. Wilson Trivino
Author Dr. Frederick Abeles is not your ordinary dentist. He is more of a holistic health professional who wants to discover the source of your pain. Many individuals suffer unnecessarily with migraines and headaches.
In his book, Break Away he lay out a vision that others may learn from. His book mainly centers on pain that can be directed to TMJ which is an acronym for tempromanibular joint. Attempting to find solutions rather than masking it with medication. With case studies and an overall solutions strategy, this book is a good reference. In dealing with TMJ pain, Abeles has outline a H.E.A.L. formula: Help yourself, Everything is connected, Align the Jaw, and Learn.
Stop the pain and see if this might be causing it. Begin the healing process today.

0 of 0 people found the following review helpful.
whether a patient or a dentist this is a must read
By H. Dickerson
Suffered from chronic pain and no one could help you ? Have you seen every specialist possible to no avail? You might just need a Neuromuscular dentist. This book is a must read for patients and dentists alike !! For patients it will help you understand your pain and what is causing it. For dentists it will open a whole new world of learning for you to treat these patients

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• Sales Rank: #3843257 in Books
• Published on: 2015-06-19
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .23" w x 8.50" l, .55 pounds
• Binding: Paperback
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• Sales Rank: #17292972 in Books
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“Schama is a masterful stylist and storyteller.”
—Boston Globe

“A writer of gorgeous prose.”
—Washington Post

The ever erudite, always delightfully curious Simon Schama returns with Scribble, Scribble, Scribble, a wonderful compendium of thirty provocative, witty, enlightening, and stimulating essays previously published but collected in a single volume for the first time. One of our most distinguished historians and commentators, Schama, the acclaimed author of The American Future: A History, explores an amazing diversity of topics—from the political to the personal, from the earth-shaking to the mundane, from ice cream to Churchill to Hurricane Katrina and everything in-between. In Scribble, Scribble, Scribble, Simon Schama opens up his—and our—wide world to us.

• Sales Rank: #2189542 in Books
• Published on: 2012-04-03
• Released on: 2012-04-03
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.12" w x 6.00" l, 1.05 pounds
• Binding: Paperback
• 448 pages

From Publishers Weekly
In these lively essays and reportage, Columbia historian Schama (The American Future: A History) turns his omnivorous erudition and warm prose to a vast array of topics. There are incisive historical essays on everything from Europeans' evolving image of the "Unloved American" to Churchill's oratory and, in a deliciously cruel book review, the "pigmification of historical scale" in micromonographs. There are meditations on the art of Rembrandt and Richard Avedon; reportage from British and American election campaigns; disdainful commentary on the Bush administration, and a stew to ice cream smorgasbord of foodie articles, recipes included. Schama is essentially the reporter-pundit with a chair in history, illuminating the most contemporary of topics in the buttery glow of historical context. One occasionally wonders whether that licenses him to write about absolutely everything: some pieces misfire—profiles of Martin Scorsese and Charlotte Rampling feel like generic celebrity puffery—and he lacks the distinctive style and outlook that would make you want to follow him all over the map. Still, he approaches every subject with gusto and amusement and, like your favorite professor, always has smart things to say. 8 pages of b&w photos. (Apr.)
(c) Copyright PWxyz, LLC. All rights reserved.

Review
“[T]his robust, generous smorgasbord has pretty much something for every palate.” (New York Times)

“Willfully miscellaneaous... addictively readable... [Schama] is clever, versatile, and extremely likable.” (Financial Times)

This sparkling, effervescent collection bridges the gap between scholarly and popular writing... It is excellent holiday reading.” (Jonathan Mirsky, The Spectator (A Book of the Year))

“An enticing collection of pieces old and new, a bedside book of rich insights.” (The Observer)

“It really is very good... Witty, learned, informative, and clarifying.” (Evening Standard (London))

“His eloquence is on magnificent display in this new book: a delightful collection of journalistic essays.” (The Independent on Sunday)

“The most stimulating and surprising writing here is on cooking and eating... A diverting personal history.” (The Telegraph)

“In these lively essays and reportage… Schama… turns his omnivorous erudition and warm prose to a vast array of topics. … He approaches every subject with gusto and amusement and … always has smart things to say.” (Publishers Weekly)

“[C]ollections of essays don’t come any better than this. All readers who like lively writing and good thinking, especially relating to art criticism and history, will enjoy this book.” (Library Journal)

From the Back Cover

In this passionate and provocative collection, the brilliant Simon Schama reveals his lighter, more playful side as he brings his keen critical sensibility to a wide range of topics. Captivating and informative, Scribble, Scribble, Scribble captures Schama's wit and acute observations as he holds forth on everything from food and family to Winston Churchill, Martin Scorsese, and Richard Avedon, from Rubens to Rembrandt, from his travels in Brazil and Amsterdam�to sailing on the Queen Mary 2.

Never predictable, always stimulating, Scribble, Scribble, Scribble is a treasure trove of surprises that highlight Schama's sense of humor, curiosity, and idiosyncrasies, allowing us to view the world, in all its diversity, through the eyes of one of its most intelligent, witty, and original inhabitants.

Most helpful customer reviews

33 of 35 people found the following review helpful.
In the Kitchen with Simon
By takingadayoff
As historian, art critic, political commentator, essayist, biographer, and amateur cook, Simon Schama can be interesting on any number of topics. The essays in this volume are mostly from the past ten years, but there are a few from as early as 1979. They first appeared in publications such as The New Yorker, The Guardian, The Financial Times, The New York Review of Books, and the London Review of Books. Some of the pieces appeared as chapters in anthologies, or as essays for theater programs and exhibition catalogs. Some were speeches he gave.

Schama is above all a historian, so I shouldn't have been surprised to find his historical essays a little too scholarly for my short attention span. On the other hand, I enjoyed many of the pieces on movies and art. It was fun reading how director Martin Scorcese caught him off guard by citing Kind Hearts and Coronets as an inspiration for Goodfellas. Then Schama had to scramble to give himself a crash course in horror film history when Scorcese described his other inspirations over the years.

One thought-provoking essay was about Richard Avedon's photographs. Although the book includes some illustrations to go with the art essays, Schama talked about several photographs that weren't included. His descriptions were so vivid that I had to find the images online to see for myself. They really were fascinating, and now I have become an Avedon fan, thanks to Schama.

Schama mentioned a few times in his food essays that he used Julia Child's book, Mastering the Art of French Cooking. I just read a book of letters between Child and her friend and editor, Avis DeVoto (As Always, Julia: The Letters of Julia Child and Avis DeVoto), in which they discuss at length the details of the book that Child was writing. The idea was to translate French recipes into recipes that would work in American kitchens with ingredients available in America using American appliances. Schama, cooking in an English kitchen, must have had to translate the recipes yet again to accommodate English ingredients and appliances. I can imagine how many ways this could have gone wrong, but Schama seems to have succeeded.

Schama manages to be educational, infuriating, amusing, thought-provoking, and just plain interesting. Recommended!

3 of 3 people found the following review helpful.
Recommending Schama
By Happy cook
Simon Schama's Scribble, Scribble, Scribble is an excellent collection of newspaper articles on various subjects. From traveling, Sail Away: Six Days to New York on the Queen Mary 2 published in the New Yorker, 31 May 2004 to cooking, My Mother's Kitchen Observer Food Magazine, 11 October 2009 his insight and humor make this a delightful and refreshing book.
Schama was selected as the honored guest at the fifth annual Kenyon Review Literary Festival.He was the recipient of the 2011 Kenyon Review Award for Literay Achievement.

3 of 3 people found the following review helpful.
A Literary Menagerie
By Iosephus Bibliothecarius
Historian Simon Schama has a wide range of interests and a flowing pen which combine beautifully and to great effect in his latest book, a collection of articles and book reviews spanning three decades. Whether you are interested in art, history, travel, cooking, or politics, it's all here in Schama's wonderfuly descriptive and award-winning style. Here's to hoping there's a second collection in the works!

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Inspired by a true story, Hans Fallada's Alone in Berlin is the gripping tale of an ordinary man's determination to defy the tyranny of Nazi rule. This Penguin Classics edition contains an afterword by Geoff Wilkes, as well as facsimiles of the original Gestapo file which inspired the novel. Berlin, 1940, and the city is filled with fear. At the house on 55 Jablonski Strasse, its various occupants try to live under Nazi rule in their different ways: the bullying Hitler loyalists the Persickes, the retired judge Fromm and the unassuming couple Otto and Anna Quangel. Then the Quangels receive the news that their beloved son has been killed fighting in France. Shocked out of their quiet existence, they begin a silent campaign of defiance, and a deadly game of cat and mouse develops between the Quangels and the ambitious Gestapo inspector Escherich. When petty criminals Kluge and Borkhausen also become involved, deception, betrayal and murder ensue, tightening the noose around the Quangels' necks...If you enjoyed Alone in Berlin, you might like John Steinbeck's The Moon is Down, also available in Penguin Modern Classics. "One of the most extraordinary and compelling novels written about World War II. Ever." (Alan Furst). "Terrific...a fast-moving, important and astutely deadpan thriller." (Irish Times). "An unrivalled and vivid portrait of life in wartime Berlin." (Philip Kerr). "To read Fallada's testament to the darkest years of the 20th century is to be accompanied by a wise, somber ghost who grips your shoulder and whispers into your ear: "This is how it was. This is what happened"." (The New York Times).

• Sales Rank: #70755 in Books
• Published on: 2010-05-01
• Original language: German
• Number of items: 1
• Dimensions: 1.10" h x 5.00" w x 7.70" l, .90 pounds
• Binding: Paperback
• 588 pages

Review
Fallada assembles a cast of vivid low-life characters, stoolies, thieves and whores -- James Buchan Guardian Visceral, chilling ... has the suspense of a Le Carre novel New Yorker A classic study of a paranoid society. Fallada's scope is extraordinary. Alone in Berlin is ... as morally powerful as anything I've ever read -- Charlotte Moore Telegraph First published in Germany in 1947 and evoking the horror of life in Germany in the Second World War. A rediscovered masterpiece that makes you want to seek out more works by this great chronicler of events in my own lifetime. Barry Humphries, Books of the Year, Sunday Telegraph The other fictional high point of 2009 was Alone in Berlin ... Hans Fallada's 1947 portrait of an ordinary German couple stung into a life of protest by the death of their soldier son is harrowing and masterly. -- David Robson Books of the Year, Sunday Telegraph [This novel] suggests that resistance to evil is rarely straightforward, mostly futile, and generally doomed. Yet to the novel's aching, unanswered question: 'Does it matter?' there is in this strange and compelling story to be found a reply in the affirmative. Primo Levi had it right: This is the great novel of German resistance. -- Richard Flanagan 'What Irene Nemirovsky's "Suite Francaise" did for wartime France after six decades in obscurity, Fallada does for wartime Berlin.' Roger Cohen, New York Times '[Alone in Berlin] has something of the horror of Conrad, the madness of Dostoyevsky and the chilling menace of Capote's "In Cold Blood"'. Roger Cohen, New York Times 'Fallada's great novel, beautifully translated by the poet Michael Hofmann, evokes the daily horror of life under the Third Reich, where the venom of Nazism seeped into the very pores of society, poisoning every aspect of existence. It is a story of resistance, sly humour and hope' -- Ben Macintyre The Times 'an extraordinary novel' Daily Express A marvellous book, almost a masterpiece. The tension he maintains despite a fogegone conclusion is miraculous. This is the truest, most vivid I-was-there novel of the epoch. Norman Lebrecht The stand-out book this year for me was Alone in Berlin (Penguin Classics GBP9.99) ... It's a page-turning moral thriller, based on fact, of a -working-class German -couple and their small-scale attempts to resist Nazi rule in Berlin. Bleak, chilling, utterly compelling and unforgettable. -- Pugh Books of the Year, Daily Mail Penguin's reissue of Hans Fallada's Alone in Berlin, brilliantly translated by Michael Hofmann, makes available one of the great novels of the past century. An almost unbearably intense challenge to its readers. -- George Steiner Books of the Year, TLS What makes Alone in Berlin such a cracking read is that it pushes us into the midst of that grim reality and yet allows us to put it down - only at the very end - with a feeling of warm humanity. -- Peter Millar The Times Hans Fallada wrote Alone in Berlin between September and November 1946, in postwar East Germany. He told his family that he had written "a great novel". He would die a few months later. ... Fallada was correct: he had written a great book, in circumstances and a space of time which make the achievement almost miraculous. But it's the double miracle of translation which gives us Fallada's novel in English as Alone in Berlin. Michael Hoffman is a fine poet, whose acute ear and eloquent understanding of the transition-points between the two languages make the text as powerful as it is down-to-earth. -- Helen Dunmore Guardian

About the Author
Hans Fallada was one of the best-known German writers of the twentieth century. Born in 1893 in Greifswald as Rudolf Wilhelm Adolf Ditzen, he took his pen name from a Brothers Grimm fairy tale. His most famous works include the novels Little Man, What Now? and The Drinker. Fallada died from an overdose of morphine on 5 February 1947 in Berlin. Michael Hofmann is the author of several books of poems and a book of criticism, Behind the Lines, and the translator of many modern and contemporary authors. Penguin publish his translations of Kafka's Metamorphosis and Other Stories and Irmgard Keun's Child of All Nations.

Most helpful customer reviews

56 of 56 people found the following review helpful.
A true modern classic set in Wartime Germany. Quite brilliant
By Ripple
Staggeringly written in 24 days and first published in German in 1947, Alone in Berlin is without doubt a modern classic. Inspired by the real-life activities of Elsie and Otto Hampel, the heart of the book relates the plight of two, decent, hard working Germans living in Berlin, who, on hearing of the death of their only son on the front line, begin a small scale campaign of anonymous postcards attacking Hitler and the Nazi regime throughout Berlin. The scale of the effort may be small, but the price to be paid for discovery is almost certain death.

But Alone in Berlin is much more than this story of the Otto's postcard campaign and the attempts of the Gestapo to discover his identity. There are a whole host of people to whom we are introduced, and Fallada poignantly portrays their plights in touching detail. This would be a terrific novel in any hands, but when you consider that Fallada remained in Germany throughout the war (unlike so many other writers) you realise how true to life some of these fictional events must have been.

The new translation by Michael Hofmann is totally convincing - with only the very occasional word that seems to jar, but with subtle changes of tense and styles, he ensures that the story is fast paced and gripping throughout.

Ir's very much in the `classic' style - I was particularly reminded of some of the great Russian classic novels in terms of style. It's a compelling read and takes you through a range of emotions - from uplifting one minute, to despair another. But it's about people holding onto their beliefs and values in the face of every opposition possible.

This edition also has an afterword about the author and copies of some of the original wartime documents from the original Hampel case. I cannot recommend this book highly enough. If you enjoy classic fiction, this is a `must read'.

29 of 30 people found the following review helpful.
Dark, satirical war-time thriller
By Steve Benner
Hans Fallada was the nom de plume of one Rudolf Ditzen, a German novelist whose best known work is probably the Great Depression novel, "Little Man, What Now?", written in 1932 which in its day was a great international success, even leading to a Universal Pictures film adaptation in 1934. Jeder stirbt f�r sich allein ("Alone in Berlin" also published in the USA as "Every Man Dies Alone") was Fallada's final novel, extraordinarily written in just 24 days in October and November 1946, being completed but not published by the time of the author's death in February 1947. The book takes as its basis the true war-time story of Otto and Elise Hampel who over a period of three years baffled both the Police and the Gestapo by distributing hundreds of postcards all over Berlin, urging acts of civil disobedience and work-place sabotage. Despite the ineffectiveness of their propaganda campaign -- all but a few of their cards were handed into the authorities within hours -- the couple nevertheless enraged the Gestapo, who became convinced that the cards were the work of a large and well-orchestrated underground conspiracy, rather than just two people working silently and alone.

Having himself lived through the privations of the Nazi years and suffered their strictures at first hand (particularly as he was not exactly in favour with the Party) Fallada writes with a great incisiveness and authority, not only in his portrayal of officials of the state but also in his depiction of the behaviour of everyday people. "Alone in Berlin" is in part satirical and in part invective but is never less than a highly humanist examination of the times, as well as an honest and frank exploration of the depths to which many Germans had to lower themselves simply in order to survive. Fallada portrays the Nazi Party bigotry and corruption as absolute, permitting not the smallest spark of human decency to remain unpunished. He points up the way in which those few who daily struggled to maintain even a semblance of humanity were left feeling so very much alone and isolated; a state in which they perforce maintained themselves or else perpetually risked denouncement, to be followed inevitably by interrogation, incarceration and possibly execution. And yet isolated pockets of human decency did abound, albeit working in small and quiet ways to try to derail the Fascist hegemony, however futile and dangerous their gestures might actually be.

"Alone in Berlin" is a compelling and totally gripping tale, initially of suspense and later of self-discovery and redemption. Fallada portrays at length the mean and petty lives which the Nazi political system created, as well as the hopelessness experienced by many in war-time Berlin; the author fair revels in the crass incompetences and internal bickerings of the authorities which for so long kept them from tracking down the conspirators. Many of the small details of the book are partly auto-biographical -- particularly many of the internal struggles of its weaker characters, as well as their experiences at the hands of low-level Party officials and rank-and-file fanaticism -- mirroring as they do Fallada's own personal experiences of those years. Many of the characters -- especially those in positions of power -- come across now more as caricatures or as comic cartoon characters more than as real, solid people but this was probably the way they appeared within an entire nation which had collectively been forced to bury not just its sanity but a great portion of its humanity as well.

This English translation is newly prepared by Michael Hofmann and is a joy to read, capturing in highly idiomatic (contemporary) language Fallada's deadpan delivery of events, whether they be of great brutality or simpering banality. Above all, it comes across as fresh and vibrant, accentuating Fallada's wicked black humour perfectly.

Highly recommended.

0 of 1 people found the following review helpful.
Four Stars
By Richard J. Rundell
Translation of "Jeder stirbt fuer sich allein" -- a decent, if not exceptional, translation.

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