Free Ebook The Goat, or, Who Is Sylvia?, by Edward Albee
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The Goat, or, Who Is Sylvia?, by Edward Albee
Free Ebook The Goat, or, Who Is Sylvia?, by Edward Albee
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Three-time Pulitzer Prize winner Edward Albee's most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf?, The Goat won four major awards for best new play of the year (Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle). In the play, Martin, a successful architect who has just turned fifty, leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters.
The playwright himself describes it this way: Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid.
- Sales Rank: #106925 in Books
- Brand: Brand: Overlook Hardcover
- Published on: 2003-05-15
- Original language: English
- Number of items: 1
- Dimensions: .60" h x 6.44" w x 8.36" l, .60 pounds
- Binding: Hardcover
- 112 pages
Features
- Used Book in Good Condition
Review
Unquestionably one of the wittiest and funniest plays Albee has ever written . . . truly fascinating . . . enthralling. -- Clive Barnes, New York Post
About the Author
Edward Albee's plays include Who's Afraid of Virginia Woolf? (Tony Award), A Delicate Balance (Pulitzer Prize and Tony Award), Seascape (Pulitzer Prize), Three Tall Women (Pulitzer Prize), and The Play About the Baby (available from Overlook). He was awarded the Gold Medal in Drama from the American Academy and Institute of Arts and Letters, the Kennedy Center Honors, and the National Medal of Arts.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Definitely not a Goat
By Jason S. Wrench
Edward Albee is probably one of the best modern American playwrights we have. The breadth and depth of his understanding of the White, Middle-Class family is astounding. This play explores some themes common in his repertoire, but also explores some new areas that are quite fascinating.
0 of 0 people found the following review helpful.
Thought provoking
By Amazon Customer
Albee's finest work.
1 of 2 people found the following review helpful.
WHAT is Sylvia
By David Seaman
Edward Albee's "The Goat" or Who Is Sylvia is, to the issue of Gay Marriage, what Arthur Miller's The Crucible was to McCarthyism. Albee manages to show an audience exactly what true love is and he uses a middle class WASP family with a homosexual son and a goat to do it. The end of the play has a hurt and confused wife holding forth a dripping burlap sack full of hacked up pieces of a dead goat as her husband weeps into his hands. Not only does it address the issue of how dare we define love, but Albee even is brazen enough to use a goat, which of course was the homophobic reaction to the issue of gay marriage in the first place: "If we allow this what is next? Do we allow a person to marry a goat?"
This is ludicrous and anyone with a little common sense should see that to jump from same sex to bestiality is both crazy and propaganda. But let's play with this bit of stupidity for a moment: Imagine a young woman taking her goat home to meet the folks for the first time. "Mom. Dad" she says timidly, "This is Billy."
In 1955 there were actually Senate Congressional hearings where individuals were seriously asked about their connections with the Communist Party and asked to give names of those with whom they worked who might just be "red" as well. Lucille Ball, married to a Cuban, managed to escape ruin because Ball and Arnaz ran one of the most powerful studios in Hollywood. No one was hiring Lucy; she did the hiring. And no Senator was going to tell Americans not to watch the beloved Lucille Ball. Others were not so lucky and were blacklisted, never to work again. Some managed to escape. Shirley Jackson and Stanley Edgar Hyman were members of the Communist party as students at Syracuse university in the 1930'[s/. they escaped persecution but one of their very talented writer friends wasn't published until the early 70's when Woody Allen hired him as a screen writer. Ralph Ellison was published first. Arthur Miller wrote The Crucible- tightly researched and accurate (ironically, Shirley Jackson wrote a book called The Witchcraft of Salem Village but for different reasons) and America saw how the Red Scare was a witch hunt- smart America anyway.
Sadly, The Crucible remains relevant as it could now go on a double bill with Albee's The Goat. One, defining the purity of love using our homophobic culture's bad taste as a well produced metaphor and the other, Miller's Witch hunt that could easily occur with anyone from the Jews in Europe to the Gays in America.
The other thing these plays have in common is that they both won the Pulitzer Prize for Drama; the authors collected multiple Pulitzers, a plethora of Tony Awards and a production life that will go on in Regional Theatres, community theatres, colleges and High Schools for hundreds of years.
And sadly, they will likely both remain relevant. Because if a German is not allowed to marry a Jew and is shot for having a relationship with one, then why can't a man be shot for having a relationship with another man? Genocide still goes on, as Paul Simon wrote in "Old" and Al Gore pointed out to the UN (One can use Google Earth and look down upon the vast concentration camp at Darfur Sudan) as we all stand in line at Wal-Mart on Black Friday 2012, where, according to the news, there were only three Wal-Mart handgun incidents. It takes very little and a Holocaust sneaks up on us while we're worrying about our gas bill and snow tires.
My Country `tis of thee. To think about ourselves and ignore if we are free.
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